Ein Seepferdchen, vielleicht
„LA CHAMADE,“ Alain Cavalier’s French screen adaptation of Francoise Sagan’s 1966 novel, is like a glass paperweight in which something small and exotic has been embedded—a seahorse, perhaps. It is elegant and lucid, something very pleasant to have around even though it’s not exactly an objet d’art of the first order.
Vincent Canby, NY Times, July 28, 1969
arte, 20.40h