Freitag, 25.01.2008

Sync * Wild * MOS * Null

“In the world in which I began, sync was regarded with suspicion, and the privileged mode was the silent film. And not only that, but there was a privileged piece of apparatus; there was a camera that was the politically correct kind of camera to have. And that camera was the Bolex. It makes me nostalgic just to even think of a Bolex. […] And if you had a Bolex it was already a kind of credential. And I never owned a Bolex, so I was suspect.”

[Morgan Fisher, filmmaker, painter and artist, and Yve-Alain Bois, Harvard University, talking about expressivity, richness of life, abundance, film as a medium, sound, sync, time, picture, film and cinema history. Public open video lecture with students and faculty of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007]

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